Collabs and why they matter

I’ve fallen in love with collaborative working!

I mentioned in my last post, but I’ve recently entered into a little collab with a dear friend. Working alongside another person has really given me a lot of drive and motivation, and it has made me excited to see what we produce as a duo.

Collaboration can be a way of pooling resources, and creating strategies to get your work out there. It makes you feel more confident that your work is good, and that you’ve got someone who’s watching your back. Through collaboration, ideas can be changed, minds can be expanded, and new things can be created which would never have existed otherwise. Collaboration is a way of expressing outwards, which is especially good for someone like me (INTP, ughhhh) who is not usually good at tooting their own horn or making useful connections with others. It also helps me to focus on one thing at a time, as I tend to write many things at once, but struggle to find the motivation to finish many of them.

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We are planning a poetry book – I’m doing the words, she’s doing the images. To be honest, poetry isn’t even my main bag. I prefer writing short stories. But she read my poems and something just clicked – we both suddenly had a vision for this project. And, maybe no-one will read it. Maybe no-one will notice. But we want to create something we’re proud of, and we want anyone who happens to find our work in their hands or on the screen in front of them to feel different after having read it – whether that’s more understood, stronger, or even confused and like their world-view has just shifted slightly.

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That sense of friendship and solidarity is so life-giving, and is especially useful when working on creative or social endeavours. It can also be especially important when you’re both 20-something WOC trying to get yourself out there and realise your dreams; when you’re trying to carve out a niche for yourself and others which has not previously existed, or been allowed to exist. It’s easier to overcome any barriers you might face when you’re together, and its more exciting, interesting and affirming to document your experiences and plan stuff with another person.

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And collaboration doesn’t have to come in such an official form, either. We collaborate every day, with our friends and people we work or study with. We build each other up, support each other, give advice, encourage each other to do new things and believe in ourselves. Hell, even a night out with your besties can be an act of collaboration.

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As someone who helped people set up a Black Feminist reading group (and eventual society) at my uni, and who was part of a group of three girls who worked together to create campaigns on behalf of BME students, I really feel the importance of strong women working together to change things. The sense of purpose, solidarity and creativity that accompanies brainstorming with similar minds is so precious.

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There’s nothing I like to see more than all-female groups creating and innovating and changing the narrative. And that’s where I get my inspiration from – from projects and artists who put the female experience at the forefront of their work, who create things which make you think, which are spiritual, intellectual, and comforting to those who are lost or invisible.

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I look to these groups (and the individuals in them), and seeing their output and their existence in the world, seeing them take up space, is enough for me – no tangible physical connection is even needed; this stuff can have a real impact virtually and visually on a person’s life, outlook, and perception of themselves.

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I look forward to being part of more groups in the future, where the people become parts that fit together, where each has their own role, where all act as a soundboard for the others, where light is perfectly balancing with dark. Sometimes to get something done, you just need to join forces.

Are You a Writer?

I haven’t done much creative writing for ages, and I don’t want to go neglecting my first love, do I? I’m getting back into it, but it’s not easy when all I’ve been focussing on this year is articles/opinion pieces, and academic essays.

I like to have a lot of things on the go at once so I don’t get bored; the downside of this is that I now have about 5 unfinished novel drafts which I’ve got to try and do something with (preferably finish!). On the bright side, though, I’m currently working on an exciting poetry collaboration, so there’s that 😀 I’ll give you more info when it’s closer to being finished, but I feel like we’re going to be proud of it when it’s done.

I haven’t got any extracts that I want to share right now, so I’m going to write about writing instead.

I’m going to ask in this post: Can the artistic act of writing, or the state of being a writer, be defined in any concrete way? I’m also going to consider if writing is actually an art form and a gift, or whether it’s a technique which can be learned and honed in order to make a living. Is it something you’re born with, or something you need to keep practising to prevent the skill from disappearing (gulp)? Maybe its just being able to overcome procrastination?

Historically speaking, the stereotype of the writer is very androcentric. Famous writers have typically been alcoholic males with typewriters – tortured European men like Ernest Hemingway, F. Scott Fitzgerald, Stephen King and William Faulkner. Androcentrism has tended to be a definite pattern throughout fiction, owing to the fact that men have traditionally had more access to education. Within our Western culture, teaching, publishing and reading was preoccupied with and overshadowed by the imitation of ‘dead white males’. However, defining ‘a writer’ is no longer as simple. Times have changed, and while there are still minority voices which are under-represented, the barriers to being heard are slightly less gruelling to overcome, and different narratives are popping up which can’t and won’t be ignored anymore.

A more black and white way of way of defining a writer is as a self-employed person who produces works of fiction or non-fiction, and is motivated by the drive to write and the satisfaction they gain from engaging in a creative pursuit. From this, we can learn that writing is connected to emotions; to desires, satisfaction. It is also sadly true that few writers achieve mass-market success, so if the financial yields are low, there must be another reason why people choose to do it. This leads us to consider whether it actually takes commercial success, monetary rewards and mass acclaim to become a ‘proper’ writer.

Caro Clarke, on her eponymous website, has created a quiz for visitors to take which tells them whether or not they have what it takes to be a writer. Do you write because you enjoy reading, or simply because you like typing? Do you use adjectives ‘sparingly’ or ‘vigorously’? Can you accept rejection? Clarke suggests that a real writer wants to write because they have characters in their head which they need to give life to, and not because they just want to see their name in print and win literary prizes. Again, it is not just to do with acclaim, technique, or success – it’s about some kind of desire. However, Clarke also goes on to suggest that being published is actually important; perhaps she doesn’t mean this in terms of making money, but rather the realisation of an idea into something tangible, and the positive metal effects this can have. Either way, Clarke seems to brush off the idea of keeping a ‘writer’s journal’, an oft-used tool for exploring creativity and writing for pleasure. Fiction skills, in her opinion, can only be gained through discipline and refining; mood pieces and character sketches have no place. And to some extent she is right. Keeping a journal (and, I guess, a blog :p) doesn’t necessarily make you a writer. So maybe its the interpretation of your thoughts on a page by an audience which make a writer? Personally, I have always kept a journal, but it was only when I started connecting my thoughts and turning them into more finished, coherent entities, and when I started to tell people about my work, that I felt like I was starting to become a bit more legit. Before then, I was just someone who liked to write. But if writing is about ploughing towards the holy grail of being published, then many have failed, and are failing (including myself), and are falsely claiming to be writers. It depends, then, on what kind of writer you are, and whether penning a novel is the goal of your craft.

Can we look at what it means to be a writer in terms of their traits? Justine Musk states that a person must choose writing over everything else, thereby becoming solitary and mentally tough. And it must take someone mentally tough, or at least different to everyone else in society, to decide to sit in a room by themselves, assigning thoughts to paper for the majority of their time; and also quite a large amount of ego, unrealised or not, to believe that your own thoughts and musings might warrant appreciation and remuneration, or that they are vital enough to be distributed across the world. She references Margaret Atwood when she says that writing begins with an inwards focus, but then, after exploring the self, the true writer extends outwards; develops their craft and doesn’t just write about their own thoughts and feelings. Atwood herself says that writers as a species have no common motives. We are all brought up in different places and in different times, so have different ideas about what the social function of a writer is, or even what good writing looks like. We construct our own self-image as writers; our own job description. It is an activity, a profession, or an art, according to the individual. Writers record the world as they themselves view it. This is reflected in the fact that being a writer has changed vastly over time. The advent of blogs means that anyone can get their work read. People can self-publish, create e-books, and advertise their work in different ways.

To revisit Atwood’s point about expanding outwards after an inward focus, John Scalzi approaches this by relating the process to growing up, suggesting that a writer is someone who has come through adolescence. He claims that, when you are young, you have no perspective and wisdom, and that teenagers are too obsessed with cultural influences and role models to produce truly original work. Scalzi says that it is essential to experience life, and practise your skills, before you can be a writer. And I can relate this to my own work. The way I write, both in my spare time and for purpose of education, has changed and become better over time. During this process I have grown up, and my writing is more original (I hope) and reflects what I have learned about the world. I have also kept the desire to write since it appeared, and not just seen it as consigning myself to doing what is essentially extra homework for the rest of my life. We are taught a lot of rules about writing at school, but perhaps a writer is someone who will eventually cease to see writing as a technical instrument for acquiring grades, and start to attach sentimentality and meaning to it. The writer is the one who sees writing as more than a means to an end.

So, being a writer is not about following rules (set out by schools, or even the numerous creative writing courses which exist), but breaking them – transcending them and converting rules into your own sentient thought. It is just like art in many ways. Art students have to study great artists and practise drawing in proportion before they are allowed to rip up the rule book and create formless art unconnected to any movement. Writing is about creativity, and producing images through the written word. But it also comes with some responsibility; after all, ‘we inherit words with invested meanings’ (McNeill, 1992), and so writers can use words to oppress or to challenge. They have a responsibility to their readers to be conscious of what they are conveying, and how they are conveying it.

It is clearly difficult to define exactly what it means to be a writer. The meaning attached to being a writer varies depending on the standpoint from which the problem is being looked at. So, I’ll finish by saying that a writer is both a self-defined entity and a product of their era. To be a writer is to have a burning desire to write and create. A writer is someone who takes care over their work, actively trying to improve it with a view to it being shared with other people, or even just one person.

So, are you one of them?

Inspiration

I stumbled across this website recently and found it very useful. If you write, check it out; you might find that you’re already using some of these sources unconsciously.

How do you find inspiration? I find it in dreams, in people I meet, and in music. I’ll tell you the inspiration i used for the big things I’m working on at the moment/have written recently…

One was inspired by Alaska and pictures of the landscape,

One was inspired by people I know in my own life,

One was inspired by the view out of my window

One was inspired by pictures in a magazine and an Odd Future album,

One was inspired by a pictures of a transvestite,

One was inspired by a girl i met once and the clothes she was wearing, and a song called ‘ice on the windowsill’ or something,

One was inspired by some food I was eating at the time (i think it was sweet potato stuffed with mackerel),

And there was one where I dreamed up the whole thing one night and wrote it at 3am…

The best advice I can give you is to go to new places and meet new people and pay attention to your surroundings. Also, when you are walking, don’t have a blank mind – think. Take inspiration from the usual as well as the new too; look at the things you walk past everyday. Let yourself be attracted to beautiful things, or ugly things. Try and juxtapose characters with these objects or buildings or streets.

Oh, and remember:

Write down your new ideas, even if they seem shitty. Don’t worry, it takes time to hone them. But to start with, you actually need an idea, no matter how crap it seems. So start now!

For all you writers out there (and nosy people!)

Last year in creative writing class, I was introduced to an exercise which involved spying on people. Basically, you are required to listen to snippets of people’s conversations, and write down any interesting ones. You need an accurate memory, and the ability to write things down without being noticed. This isn’t just about being nosey though; its supposed to help with characterisation, and making your dialogue sound more natural in stories. It did it for my creative writing class this year as well, just because it’s a funny exercise…look at some of the things I’ve heard!

“I’m not saying she’s posh, but she wears Converse.” “Yeah, she talks like Lady Chatterley or something!”
“At my old school, there was, like, one black guy, and everyone liked him ’cause he was good at basketball, but he was just so generic…”
“I love turning around poor smelly people and making them like me…No, I’m working with really bad, deprived kids who have been kicked out of school, and they’re jus the most inept…”
“I just can’t handle it anymore. I can’t handle balancing going out with work. I can’t handle it anymore”.
“She just doesn’t eat anything at all, and I don’t think she realises how she makes us feel. It’s not that she’s done anything bad, like, she’s not doing anything wrong…”

Try it. It’s interesting what people say when they think no one’s listening.